Beth Stone started playing flute at the age of six, studying at Chetham’s School of Music from age eleven with Rachel Forgrieve. In 2015, she gained an interest in historical flute & now is an avid performer on renaissance, baroque & classical flute. She was a member of the National Youth Orchestra of Great Britain for two years & is currently a flautist in the Britten-Shostakovich Festival Orchestra as well as performing with many chamber ensembles. Beth has won prizes at several competitions including the British Flute Society Competition and won the Powell flute head joint. She currently plays on at Paul Edmund-Davies’ Summer Course. She is a student at the Royal College of Music as an Ian Evans Lombe Scholar, studying modern flute with Gitte Marcusson and historical flute with Rachel Brown as part of the joint course.
Fran Cervera is a versatile clarinettist who has graduated with a Master of Performance from the Royal College of Music with distinction. His studies were generously supported by the RCM Award Woodwind and the Big Give Scholarship. He studied clarinet under Tim Lines, Richard Hosford, and Peter Sparks after finishing his undergraduate studies with the soloist Jose Franch-Ballester. Fran has performed with a variety of contemporary music ensembles, specialising in the music of Stockhausen, premiering works through Spanish national scope, and recording for Spanish television (TVE). Beyond his formal studies, Fran has also learned from international professors such us Andrew Marriner, Thomas Watmough, Andreas Sunden, Joan Enric Lluna, and played under the direction of conductors like Vasili Petrenko, Holly Mathieson, Rafael Payare or Michael Rosewell.
Mikaela Livadiotis is a pianist specialising in contemporary works and improvisation. She recently completed her postgraduate studies with Danny Driver at The Royal College of Music, where she was a Kenneth and Violet Scott Scholar. Her undergraduate degree was taken at Trinity Laban Conservatoire of Music and Dance under Simon Young and Katya Lebedeva, where she held joint first place in two Gladys Puttick Improvisation Competitions and was a finalist in the Alfred Kitchin Solo Piano Competition. She is a co-founder of Company Concentric as a composer/accompanist and has performed in venues such as St John’s Smith Square, Conway Hall, the V&A Museum, and The Place. More at www.mikaela-livadiotis.com
Lena Segal studies at the Royal College of Music in London with Professor Itzhak Rashkovsky. She is a former student at the Junior Royal Academy of Music, where she was awarded the Concerto Competition in her final year, playing the Prokofiev Violin Concerto No. 2 with RAM’s Symphony Orchestra. She is the youngest winner of the Woodard Young Musician of the Year. She has also been twice a finalist of the Royal Philharmonic Society Prize. She performs regularly with her quartet, the Sepia Quartet, and the LGT Young Soloists. In 2017, she was the leader of the National Youth Orchestra in 2017. She has played in masterclasses for Alina Ibragimova, Nicola Benedetti and Mats Zetterqvist.
Tamaki Sugimoto is a recipient of various international prizes and performs extensively across the UK, Europe and Japan. Her recent concert venues include Wigmore Hall, Royal Festival Hall, Purcell Room, Kozerthaus Berlin and Tokyo Bunka Kaikan. Alongside solo/chamber music making, she enjoys working as a freelance cellist with UK’s major orchestras including Philharmonia Orchestra, London Philharmonic Orchestra and Hallé after completing schemes with LSO, LPO and London Sinfonietta. Having previously graduated from the Yehudi Menuhin School and Guildhall School of Music and Drama, Tamaki currently studies with Melissa Phelps at the Royal College of Music where she holds a full scholarship supported by The Linbury Trust. More at www.tamakisugimoto.com
Owen Ho is the first-prize winner of the AESS Competition for Composers 2019 and a winner of the Arcubus Ensemble Call for Scores 2020. His music has been published by UCLA Music Library and listed on the CoMA Library. Apart from Ensemble Matters, he also directs the Goodensemble Orchestra.
As a doctoral composer at the Guildhall School of Music and Drama, his current musical interest lies in the manifestations of romanticism in contemporary music. Previously, he obtained MMus with Distinction at the Royal College of Music and BA with 1st Class Honours at the University of Hong Kong. His studies have been generously supported by numerous scholarships and awards. More at www.owenhomusic.com